拍卖信息

藏品描述

白度母是藏传佛教中观音菩萨的化身，又称“七眼佛母”，这幅唐卡绘制使用天然矿物颜料，色彩历久弥新，画面背景的雪山、祥云元素也体现了藏地自然与宗教融合的艺术特色，白度母佩戴的五叶宝冠、云顶雪山、莲花宝座等多处还采用了描金的工艺矿物颜料的运用达到顶峰，金、银、朱砂、石绿、石青等珍稀材料的运用保证了唐卡历经数百年依然璀璨夺目，同时刺绣、堆绣等立体技法在宫廷和上层寺庙中备受推崇，明末清初唐卡具有极高的历史价值、宗教价值、艺术价值和收藏价值。（White Tara is a manifestation of Avalokitesvara in Tibetan Buddhism, also known as the “Mother of Seven Eyes.” This Thangka is painted using natural mineral pigments, ensuring that the colors remain vibrant and fresh over time. The elements of snow mountains and auspicious clouds in the background reflect the unique artistic characteristic of blending Tibetan nature with religion. Furthermore, the five-leaf crown worn by White Tara, the snow-capped peaks, and the lotus throne all feature fine gold outlining techniques. The application of mineral pigments reached its peak during this period; the use of precious materials such as gold, silver, cinnabar, malachite, and azurite has guaranteed that the Thangka remains dazzling and brilliant even after centuries. Meanwhile, three-dimensional techniques like embroidery and appliqué were highly esteemed in the imperial court and upper-level temples. Thangkas from the late Ming and early Qing dynasties possess immense historical, religious, artistic, and collectible value.）