拍卖信息

藏品描述

此件清乾隆珐琅彩人物故事铺首衔环双耳尊，其器型承古拓新：敞口束颈、丰肩鼓腹的轮廓，既延续青铜尊的庄重威仪，又以铺首衔环双耳增添灵动贵气，50cm的规制在珐琅彩器中尤为罕见。纹饰是灵魂所在：尊身绘文人雅集场景，人物神态鲜活、衣纹细腻，珐琅彩料融合西洋明暗技法与中国工笔线条，色阶过渡如宝石晕染，松竹布景更显“诗画入瓷”的东方意境。底款“大清乾隆年制”蓝料规整，是宫廷造办处御器的身份标识。作为中西工艺交融的典范，它既承载乾隆对汉文化的推崇，亦见证18世纪中西审美互鉴。其稀缺性（乾隆珐琅彩大器存世寥寥）与艺术价值兼具，不仅是瓷艺瑰宝，更是盛世文明的物质注脚，藏界“金字塔尖”之品。 This Qing Dynasty Qianlong enamel painted character story picture and auspicious beast mouth ring double ear vase inherit the ancient and expand the new shape: the outline of the open neck, ample shoulders and bulging belly continues the solemn dignity of the bronze statue, while adding vitality and nobility to the auspicious beast mouth ring double ears. The 50cm regulation is particularly rare among enamel painted utensils. Decorations are the soul: depicting literati and elegant scenes with vivid expressions and delicate clothing patterns, using enamel materials that blend Western light and dark techniques with Chinese meticulous lines, with color transitions resembling gemstone blending, and a pine and bamboo backdrop that highlights the Eastern artistic conception of "poetry and painting in porcelain". The blue material of the bottom model "Made in the Qianlong Year of the Qing Dynasty" is regular and serves as the identification mark for the imperial utensils used in the palace. As a model of the integration of Chinese and Western crafts, it not only carries Qianlong's admiration for Han culture, but also witnesses the aesthetic exchange between China and the West in the 18th century. Its scarcity (the scarcity of Qianlong enamel painted masterpieces) and artistic value combine, making it not only a treasure of porcelain art, but also a material footnote to the prosperous civilization and a product at the top of the "pyramid" in the Tibetan world.